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Vanessa Kirby. runtime=137 minute. David Leitch. Lawman Luke Hobbs (Dwayne "The Rock" Johnson) and outcast Deckard Shaw (Jason Statham) form an unlikely alliance when a cyber-genetically enhanced villain threatens the future of humanity. genre=Action. Writers=Drew Pearce, Chris Morgan

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Fast & furious presents hobbs & shaw (2019) watch online free. I"ve got another confession to make: As with "Spider-Man: Far from home" this is my first foray into this franchise. There was a trailer for this film before the Spider-Man feature and it looked absolutely exhilarating. Having won a few free tickets recently, I could afford to take a chance on this unknown quantity.
The plot is very easy follow: an attempt by British Secret Intelligence Service agents at MI6 to seize from the wrong hands a weaponised virus which poses an Avengers" level threat to humanity goes awry. In order to save the world, Luke Hobbs, a Federal Agent with the DSS (played by Dwayne Johnson) and Deckard Shaw, a former British Special Forces assassin-turned-mercenary (played by Jason Statham. Thankyou to Wikipedia for those bios! are forced by circumstance to work together, despite their mutual loathing due that happened in earlier films which I know nothing about (fortunately, unlike the last two Avengers films - especially "Infinity war. I didn"t really feel lost without that background knowledge. The little I"d seen of The Fast And The Furious franchise (probably in film review TV shows) made it seem like the villains were muscle car hoods or something insignificant like that. However, Hobbs informs me in this film that this this is the "fourth time" that he has been forced to save the I"m not sure if that means that there have been four films where we see him do that.
Storywise, the action plays like a James Bond film (e.g. Moonraker) or a Metal Gear Solid insane action (actually, it"s non-stop action, pretty much, but not in a boring way. In other words, it"s all very high-tech... futuristic, you could say. Hobbs and Shaw are like gods battling mere The Avengers battling people who aren"t very nice. They need a supervillain to make their victories more meritorious, and they get that in this film. H&S have a supervillain not a million miles from Thanos in the last two Avengers films. That is to say, the supervillain does have a philosophical narrative to justify posing an Avengers" level threat to humanity.
Not having seen the previous films in this universe, it does seem to me that we learn new things about Hobbs and Shaw, mainly about their personal history and family life before they became superheroes (in a manner of speaking. It did seem to me that a close family member of Hobbs sounded Indian, which I thought was weird, but I dunno. If the previous films haven"t dealt with Hobbs" and Shaw"s backstory, this could be interesting to yous.
Generally the humour worked well for me in this film, especially the scenes with Lock (played by Ryan Reynolds, who I now realise played "Deadpool" in the film of that name and hence is why he seemed familiar to me. Maybe Lock"s humour. is a variation on Deadpool"s? There"s a Deadpool style intertextual reference in a scene with Shaw"s car collection. I"ve reviewed both "Deadpool" films here) and Luke. Lock was generating all the laughs for me. However, it was hard to form a definitive view about him. Was Lock being intentionally funny (which I thought that he was) or was he mentally defective? Hard to tell! I also did form a hypothesis about him, relating to an aspect of the I"m not sure is half-confirmed by the bonus scenes during the closing credits. In the parlance of Australian cricketers, there is a lot of "sledging" between Hobbs and Shaw, which didn"t always make me laugh, so I did find the Lock style "banter. more humorous.
Since I"ve already mentioned "The Avengers: Endgame" I have to say that I found H&S more entertaining and funnier. The action wasn"t as an intense experience as it was for the trailer, but at no stage did I get bored with the non-stop action, as I do with many films, including those in the Marvel Cinematic Universe.
I have one criticism to make of this film: sometimes I"d be unable to understand what Shaw was saying, due to his accent. That"s a pity, as I"m sure that I would have missed some jokes and sledges which Shaw was delivering. There is an artificial voice in this film which I had even more trouble understanding what it was saying.
Not really a criticism, but it has to be noted that this film requires that you take it with a tablespoon of salt, as far as common sense or logic goes. When Hobbs returns home, it"s hugely convenient that someone there has the skill to do a particular task, which you would assume would be too high-tech for them. One scene during the closing credits is also particularly juvenile, as in you wouldn"t really expect professional world-savers to act like that. Let"s not even mention how Hobbs gets out of detention at an airport! One of my all-time favourite James Bond films is "Die another day. It"s one of the all-time great "popcorn" movies in my view. It"s also very silly at times, from memory. Random people on the internet knock it for this and for it not being very believable. It turns out that many things that they loathed in this film (like the invisible car) are actually (now) possible (in a manner of speaking. The high-tech aspects to H&S strike me as being something which might just be a few years around the corner, too. Speaking of James Bond... I wonder if Idris Elba"s role can be considered an audition to be the next actor to play that character.
I think that I am likely to forget this movie and these characters very soon now. There"s a good chance that I"ll remember really liking this film. The advantage of having forgettable and disposable characters like these is that you will enjoy the film just as much the next time and laugh at all the same things that you laughed at the first time around. The H&S spin-off of The Fast And The Furious franchise is something that I would definitely be onboard for, as far as seeing sequels to it goes.
Miscellaneous:
How realistic was the HALO jump scene.

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Free online fast & furious presents: hobbs & shaw hobbs shaw cast. Fast & furious presents hobbs & shaw watch online free in hindi. Watch fast & furious presents hobbs & shaw online free hd. Free online fast & furious presents hobbs & shaw. Watch online free fast & furious presents hobbs & shaw. Fast & Furious Presents: Hobbs & Shaw After eight films that have amassed almost $5 billion worldwide, the Fast & Furious franchise now features its first stand-alone vehicle as Dwayne Johnson and Jason Statham reprise their roles as Luke Hobbs and Deckard Shaw in Fast & Furious Presents: Hobbs & Shaw. Ever since hulking lawman Hobbs (Johnson), a loyal agent of America"s Diplomatic Security Service, and lawless outcast Shaw (Statham), a former British military elite operative, first faced off in 2015’s Furious 7, the duo have swapped smack talk and body blows as they’ve tried to take each other down. But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever — and bests a brilliant and fearless rogue MI6 agent (The Crown’s Vanessa Kirby), who just happens to be Shaw’s sister — these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves. Hobbs & Shaw blasts open a new door in the Fast universe as it hurtles action across the globe, from Los Angeles to London and from the toxic wasteland of Chernobyl to the lush beauty of Samoa. Directed by David Leitch (Deadpool 2) from a story by longtime Fast & Furious narrative architect Chris Morgan and a screenplay by Morgan and Drew Pearce (Mission: Impossible-Rogue Nation, Iron Man 3), the film is produced by Johnson, Statham, Morgan and Hiram Garcia. The executive producers are Dany Garcia, Kelly McCormick, Ethan Smith, Ainsley Davies and Steven Chasman. Official Website Cast & Crew Cast Dwayne Johnson, Jason Statham, Idris Elba, Vanessa Kirby, Helen Mirren director David Leitch Producers Dwayne Johnson, Jason Statham, Chris Morgan, Hiram Garcia Executive Producers Dany Garcia, Kelly McCormick, Ethan Smith, Ainsley Davies, Steven Chasman Story by Chris Morgan Screenplay by Chris Morgan, Drew Pearce Fast & Furious Presents: Hobbs & Shaw Official Trailer #2 [HD] Fast & Furious Presents: Hobbs & Shaw Official Trailer [HD] Follow Fast & Furious Presents: Hobbs & Shaw.

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Critics Consensus Hobbs & Shaw doesn"t rev as high as the franchise"s best installments, but gets decent mileage out of its well-matched stars and over-the-top action sequences. 67% TOMATOMETER Total Count: 331 88% Audience Score Verified Ratings: 27, 689 Fast & Furious Presents: Hobbs & Shaw Ratings & Reviews Explanation Fast & Furious Presents: Hobbs & Shaw Videos Photos Movie Info Ever since hulking lawman Hobbs (Dwayne Johnson), a loyal agent of America"s Diplomatic Security Service, and lawless outcast Shaw (Jason Statham), a former British military elite operative, first faced off in 2015"s Furious 7, the duo have swapped smack talk and body blows as they"ve tried to take each other down. But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever--and bests a brilliant and fearless rogue MI6 agent (The Crown"s Vanessa Kirby), who just happens to be Shaw"s sister--these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves. Rating: PG-13 (for prolonged sequences of action and violence, suggestive material and some strong language) Genre: Action & Adventure, Mystery & Suspense Directed By: Written By: In Theaters: Aug 2, 2019 wide On Disc/Streaming: Oct 15, 2019 Studio: Universal Pictures Cast News & Interviews for Fast & Furious Presents: Hobbs & Shaw Critic Reviews for Fast & Furious Presents: Hobbs & Shaw Audience Reviews for Fast & Furious Presents: Hobbs & Shaw Fast & Furious Presents: Hobbs & Shaw Quotes Movie & TV guides.

 

Movies | ‘Hobbs & Shaw’ Review: Rock-em-Sock-em Bromance This “Fast & Furious” spinoff featuring Dwayne Johnson and Jason Statham veers awfully close to rom-com territory. Video transcript transcript ‘Hobbs & Shaw’ | Anatomy of a Scene The director David Leitch narrates a sequence from “Fast & Furious Presents: Hobbs & Shaw, ” featuring Dwayne Johnson and Jason Statham. Hi, my name is David Leitch. I’m the director of ‘Fast & Furious Presents Hobbs & Shaw. ’ So the goal here was to really define these characters quickly for the audience. A lot of people know Hobbs and Shaw from the previous “Fast” films, but I wanted to do something really specific. So you can see, using this split screen technique, we got to have these fun vignettes with the characters obviously demonstrating Shaw being more precise and more methodical and Hobbs just being a rough and tumble, get-it-done kind of guy. You know, the idea that they’re different but they’re the same was sort of the subliminal message I was trying to get. So to achieve that, I worked with cinematographer Jonathan Sela and David Scheunemann in production design to create these sets that were perfect in size and focal lengths that were exactly the same. “Where? ” So we could create this, and it was sort of a painstaking process, even to that drone shot that you see, the top shots of the cars. Like, we really were particular in how we measured focal lengths to make this happen. The use of color was really specific as well, especially in the beginning of the montage, you see defining Hobbs’s world as a little bit more warm, a little more jovial, a little bit more human I guess and maybe making Shaw’s a little bit more standoffish and sterile and cold. The visual nature, again, going back to this sort of very graphic composition that is telling us that these guys are the same, ultimately they just have different ways of achieving their goal. We thought it’d be really interesting if we could not only do something graphically, but then the first time we hear them speak, they have these sort of iconic, classic, action star catchphrases. “Who the hell are you? ” “Oh, I’m what you call a nice, cold can of whoop ass. ” It sort of demonstrates how alike they are but again, how different they are. “Who the hell are you? ” “I’m what you might call a champagne problem. ” We made sure we defined their fighting styles very precisely and made sure those fighting styles define their characters. So Shaw is obviously more of a technician, more of a refined martial artist. So we got to have some fun with some found objects in the champagne bottle. You look at Hobbs’ side, he’s using found objects as well, but it’s in a very different way. He’s taking that tray and just smashing guys over the head with it. And it is sort of indicative of who these guys are as characters, and we wanted to make it happen as quickly as possible to get into the movie. “Would have thought that would have broke. ” The director David Leitch narrates a sequence from “Fast & Furious Presents: Hobbs & Shaw, ” featuring Dwayne Johnson and Jason Statham. Credit Credit... Frank Masi/Universal Pictures Fast & Furious Presents: Hobbs & Shaw Directed by David Leitch Action, Adventure PG-13 2h 15m The people who made “Fast & Furious Presents: Hobbs & Shaw” know that Dwayne Johnson (Luke Hobbs) and Jason Statham (Deckard Shaw) have an easy adversarial chemistry. They build the movie around their put-downs and pranks. Statham stays focused on how Johnson’s size makes him seem kind of dumb and unsubtle. And Johnson picks on what an indecipherably British hobbit Statham is. At some point, Hobbs gets a load of Shaw’s stable of sports cars and asks if he’s, uh, overcompensating. Seems right for two people — an American agent and an English mercenary — who spent an exciting sequence at the top of the seventh “Fast & Furious” movie throwing each other through glass windows and designer office furniture. This spinoff is more of the same. But, written by Chris Morgan, who’s handled most of the “Fast & Furious” movies, and Drew Pearce, it weighs less and seems to know that, too. David Leitch directed it, and the fights and chases achieve a kind of smooth brutality that makes sense for the maker of “Atomic Blonde” and the second “Deadpool” and who had a hand in the first “John Wick. ” It has a good hip-hop soundtrack and the sort of coherent editing that you need for something with this much juxtaposed bone-breaking. The weightlessness, however, extends to a plot that makes no sense, and involves an extinction-level virus that Shaw’s intelligence-agent sister, Hattie (Vanessa Kirby), has heroically injected into herself and that doesn’t at all diminish her agility, wit or capacity for flirtation. Image Credit... Frank Masi/Universal Pictures The filmmakers so want to maintain the joshing between Johnson and Statham that the movie’s ostensible action label and the lust Shaw fears Hobbs has for his sister feel like pretexts for the romantic comedy “Hobbs & Shaw” virtually is. Idris Elba plays the movie’s biomechanically enhanced supervillain, and not that far into things, he wonders aloud who’s going to stop him. So, for an answer, there’s a cut to a split screen of Johnson and Statham in their respective beds. Each is going about his day — waking up, eating, exercising, taking phone calls simultaneously with the exact same response. “Jinx! ” I thought to myself. With the screen split, their bald heads — Johnson’s is smooth, Statham’s stubbled — are often inches from each other. And over the course of the movie, the tension between these two has so escalated amid the downpour of virility that by the time they’re on a plane arguing, again, over the sister (“I’m gonna let her climb this mountain. Over. And over”) those bald heads are all but knocking into each other. I was torn. Was the right response, “Get a room” or “Here’s a scrotum”? It’s serious enough between them that anytime the movie presents alternative partnerships in the form of cameos by other, more naturally funny male stars, Hobbs and Shaw decline. This relationship is closed! And that gives a ridiculous sensuality to the climactic three-way beat-down and the way the frame speed decelerates enough for every punched face and kicked head to seem like a caress, as if they were Demi Moore and Patrick Swayze at her pottery wheel in “Ghost. ” None of that makes “Hobbs & Shaw” better. It doesn’t save the movie from a saggy setup for the showdown, in Samoa, between Elba’s anonymous paramilitary goons and Hobbs’s mostly anonymous Samoan family. Estrangement is the movie’s big theme — Shaw hasn’t seen his sister in ages, and Hobbs swore he’d never go back to that island (meaning his smart 9-year-old daughter has never met her formidable grandmother). The movie doesn’t care about the strains in these relationships, so why strain them? Nothing changes if Hobbs and his brother (Cliff Curtis) are on good speaking terms. They’d still assemble dozens of their siblings and cousins for the finale’s assorted phases. They’d still figure out how to affix a bunch of trucks to a flying chopper. It’s just more pretext. The whole thing just makes me miss how horny and violent movies used to be. Here, all the violence is sex. Only, it’s not. It’s just winking. That chastity is a quiet lament in the buddy movie likely to be playing across the hall from this one, Quentin Tarantino’s “Once Upon a Time … in Hollywood. ” That film has a lot to mourn, including the idea that sex has gone out of the movies. At some point, Tarantino shows us a coming attraction for Joe Namath and Ann-Margret in “ C. C. and Company, ” a loud, dumb, fun motorcycle romp from 1970 in which all Namath does is tussle, drive and, with her, fool around. A movie like that portended 20 years of action-thrillers that also had a libido. The women didn’t always fare well, but nobody feared sex. That was as omnipresent as smoking and guns. We don’t believe in the sex anymore. All we’ve got now is the guns. When “Hobbs & Shaw” whisks everybody to a Moscow mansion stocked with sexy thieves and Shaw walks in and plants one right on the ringleader (Eiza González), Hobbs and the sister look on in horror. We’re grossed out, too. He is overcompensating. Fast & Furious Presents: Hobbs & Shaw Rated PG-13. Kicking, shooting and punching — but the harmless, bloodless cartoon kind. Running time: 2 hours 15 minutes.

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